Métamorphose

La collection Métamorphose est un hommage au monde végétal, à l’infinité de ses formes, de ses textures et de ses couleurs. C’est une ode à la nature, source d’une multitude de matières et de richesses dont l’homme n’a eu de cesse de s’inspirer.

Les pièces de cette collection sont un manifeste dédié à la Nature : vivante, poétique, joyeuse et colorée, mais aussi capable d’être mystérieuse et intrigante, lorsqu’elle tente de s’affranchir du rôle que l’homme lui assigne. La Nature imprime, sculpte ou s’échappe des contours des vêtements, comme animée d’un désir farouche de reprendre ses droits sur les matières qui l’entourent, du tissu au métal en passant par le papier. Libérée du rôle de simple ornement, la nature jaillit et s’impose au point de questionner : est-elle l’origine ou le prolongement du vêtement ?

Basée sur le double sens du mot « nature », la collection Métamorphose est aussi une métaphore du parcours personnel et professionnel de Julie Mouly-Pommerol, qui prend peu à peu de l’assurance et s’affirme.

Métamorphose témoigne de la nature intime et sensuelle de la relation entre l’homme et la nature, alors que cette dernière tente inexorablement de reconquérir son état sauvage, comme un un rappel à l’ordre adressé à l’humanité.

LOOK 1 This look was created with two shirts that belonged to Julie’s grandmother. Beyond the ecological aspect of upcycling, fashion is a story of transmission. This look is also an image of the construction of our identity: although firmly marked by our upbringing and our family history, we are free to invent our own story and chart our own course. The body jewelry is made with mulberry paper and hand-painted.

LOOK 1 This look was created with two shirts that belonged to Julie’s grandmother. Beyond the ecological aspect of upcycling, fashion is a story of transmission. This look is also an image of the construction of our identity: although firmly marked by our upbringing and our family history, we are free to invent our own story and chart our own course. The body jewelry is made with mulberry paper and hand-painted.

LOOK 2 This silhouette is all about details. The jumpsuit is made from woven linen threads from the English fabric house John England resembling interlaced roots. The coat is made with a white jacquard from Goutarel, a fabric house based in Lyon (France). The sides of the coat are from the Italian fabrics house Arnia and are hand-embroidered with 11,050 pearls, which took around 96 hours of work.

LOOK 2 This silhouette is all about details. The jumpsuit is made from woven linen threads from the English fabric house John England resembling interlaced roots. The coat is made with a white jacquard from Goutarel, a fabric house based in Lyon (France). The sides of the coat are from the Italian fabrics house Arnia and are hand-embroidered with 11,050 pearls, which took around 96 hours of work.

LOOK 2 (full white version) This silhouette is all about details. The jumpsuit is made from woven linen threads from the English fabric house John England resembling interlaced roots. The coat is made with a white jacquard from Goutarel, a fabric house based in Lyon (France).

LOOK 2 (full white version) This silhouette is all about details. The jumpsuit is made from woven linen threads from the English fabric house John England resembling interlaced roots. The coat is made with a white jacquard from Goutarel, a fabric house based in Lyon (France).

LOOK 3 Throughout the collection, nature tries to reclaim its rights in various ways. On this dress, it follows the curves of the body and blooms on the chest. The flowers embroidered on the top of the dress are made with a water-soluble embroidery technique. The green silk in cut-threads comes from the manufacturer Soieries Cheval.

LOOK 3 Throughout the collection, nature tries to reclaim its rights in various ways. On this dress, it follows the curves of the body and blooms on the chest. The flowers embroidered on the top of the dress are made with a water-soluble embroidery technique. The green silk in cut-threads comes from the manufacturer Soieries Cheval.

LOOK 4 On this look, is the jewel an extension of the pattern of the dress, or is it the other way around? The two intertwine in a natural, organic movement. The two metal flower jewels spread across the model's skin, as if they wanted to cover it completely.

LOOK 4 On this look, is the jewel an extension of the pattern of the dress, or is it the other way around? The two intertwine in a natural, organic movement. The two metal flower jewels spread across the model's skin, as if they wanted to cover it completely.

LOOK 5 Nature can be relaxing or frightening. It may sometimes seem delicate and fragile, yet some other time powerful and unstoppable. The hat was created in collaboration with Atelier Montex and Atelier Autruche. This piece is embroidered with upside-down flowers, symbolizing the metamorphosis of the woman wearing the hat, blooming and revealing her true self.

LOOK 5 Nature can be relaxing or frightening. It may sometimes seem delicate and fragile, yet some other time powerful and unstoppable. The hat was created in collaboration with Atelier Montex and Atelier Autruche. This piece is embroidered with upside-down flowers, symbolizing the metamorphosis of the woman wearing the hat, blooming and revealing her true self.

LOOK 6 This look invites us to a walk in the forest to awaken our senses. The dress is in pleated silk, imitating the grooves of a tree, and is finished using the artisanal technique of « cadre appliqué » by the manufacturer Soieries Cheval. The vest is made from a jacquard from Goutarel and the breastplate and the gloves are embroidered with a silver chain.

LOOK 6 This look invites us to a walk in the forest to awaken our senses. The dress is in pleated silk, imitating the grooves of a tree, and is finished using the artisanal technique of « cadre appliqué » by the manufacturer Soieries Cheval. The vest is made from a jacquard from Goutarel and the breastplate and the gloves are embroidered with a silver chain.

LOOK 7 This look is full of details, showing the complexity of nature as well as its diversity. The cape is made with a jacquard from the Italian fabric house Arnia, reversed and embroidered by House of Lesage. The top is in linen from John England, hand-dyed and embroidered with handmade flowers. The pant imitates a trunk covered in moss and is made in laminated silk from Omniapiega.

LOOK 7 This look is full of details, showing the complexity of nature as well as its diversity. The cape is made with a jacquard from the Italian fabric house Arnia, reversed and embroidered by House of Lesage. The top is in linen from John England, hand-dyed and embroidered with handmade flowers. The pant imitates a trunk covered in moss and is made in laminated silk from Omniapiega.

LOOK 8 This look symbolizes the victory of nature, finally achieving his goal to take the upper hand over the model. The handmade organza flowers are embroidered on tights covering her entire body. All the fabrics used for this silhouette are deadstock fabrics from Atelier des matières. The bag was made in collaboration with Camille Orion.

LOOK 8 This look symbolizes the victory of nature, finally achieving his goal to take the upper hand over the model. The handmade organza flowers are embroidered on tights covering her entire body. All the fabrics used for this silhouette are deadstock fabrics from Atelier des matières. The bag was made in collaboration with Camille Orion.

LOOK 9 This look is meant to be peaceful and poetic. The white coat is made with cotton from SUPIMA and is covered with handmade and hand-painted flower brooches.

LOOK 9 This look is meant to be peaceful and poetic. The white coat is made with cotton from SUPIMA and is covered with handmade and hand-painted flower brooches.